50 GOLBORNE

A Deluge of Art at the Carnegie International: Sanaa Gateja's gorgeous tapestry-like compositions with colorful paper beads

Redefining the trend – Histories in the Making: New artistic practices contribute to the defining of present aesthetics, discourses, and creative

NPHM to begin construction on its long-awaited permanent home

An impressive rollcall of contemporary craft and visual arts galleries

Connecting in a Creative World: Ceramicist whose work merges tradition, spirituality, and visceral creativity with cross-border cultural references

An exhibition hosted by the Embassy of France in Pakistan, featuring six women artists from Pakistan, France and Marocco.

50 Golborn at 1-54 2021 Paris: 20 international galleries presenting work by leading contemporary artists

CONTEXTURES, FROM EMO DE MEDEIROS

Marie-Claire Messouma Manlanbien's "#Map 28" at the ROYAL ACADEMY OF ARTS – SUMMER EXHIBITION: ‘RECLAIMING THE MAGIC’

King Houndekpinkou at the ROYAL ACADEMY OF ARTS – SUMMER EXHIBITION: ‘RECLAIMING THE MAGIC’

Weaving Collectively A Weaving and Textile Creation Workshop with Safaa Erruas

Ceramic artists: top trail-glazers breaking the mould. A way with clay: contemporary ceramic artists are firing up the canon into a new age

King Houndekpinkou: space-age meets tradition in ceramic art

What is forgotten and what remains Dossier: African diasporas and creativity

FILES features Marie-Claire Messouma Manlanbien

Until 2nd May, Ivorian artist and designer Jean-Sarvais Somian exhibits selected artworks at Unique Design x Savannah

What is forgotten and what remains

Emo de Medeiros answers questions about his participation to the "Ex Africa" exhibition at Musee du Quai Branly

“Street Dragon I” (2018), shoes, wire, and screws on a metal stand, 64.5 x 16 x 15.5 inches

"How will we live together?" is the theme of the Biennale opening later this month.

'Lost.in between.together" is curated by Alexia Tala

Artnet reflects on the complex context- due to Covid- in which the 13th Gwangju Biennial is being staged.

"Mind Rising, Spirits Tunning" is the title of the 13th Gwangju Biennial- directed by Defne Ayas and Natasha Ginwala.

"Contemporary Benin" is organised businessman Idelphonse Affogbolo with the view "to obtain support from African countries and their public decision-makers “in setting up funds to acquire works […] in order to bring together our artists’ best artworks on African soil.”

Jay Cephas writes about Moma exhibition: "Reconstruction:Architecture and blackness in America"

V&A curator Samantha Manton interviews Ranti Bam.

Jean- Servais Somian explains his original practice- between art and design- to TV5 Monde

Gateja's work is examined in an article looking at "Turning Paper into Sculptural Wonders".

The catalogue of " Ex Africa", an exhibition curated by Philippe Dagen at Musee du Quai Branly, Paris has just been published.

"Spring" is an exhibition of Fondation Thalie's recent acquisitions in conversation with each other.

Ruth Terry interviews King Houndekpinkou in the prestigious Crafs Council Stories.

"Moroccan Trilogy" is curated by Manuel Borja-Villel and Abdellah Karroum. It examines artistic production from independence to the present day.

"Home Perspective" curated by the Mayfly gallery tackles issues related to the recent confinements.

Jessica Klingelfuss examines Gateja's work in " 6 Makers in a Reduced and Used Philosophy".

The Open Studio interviews Larry Amponsah

"The World Stage" is at the Boise Museum and presents a selection from the Jordan D. Schnitzer and His Family Foundation.